Verdian musicodramatic expression in Un ballo in maschera

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dc.contributor.advisor Priebe, Craig
dc.contributor.author Polman, Jerry R.
dc.date.accessioned 2011-06-09T15:25:57Z
dc.date.available 2011-06-09T15:25:57Z
dc.date.created 2010-07-24 en_US
dc.date.issued 2010-07-24
dc.identifier.uri http://cardinalscholar.bsu.edu/handle/123456789/193351
dc.description.abstract This paper has examined the musical techniques used by Verdi in Un ballo in maschera to communicate the dramatic typology of his characters. The characters themselves are examined through the lens of the French tradition of Melodramma in order to understand their usage and deeper meaning within Verdi’s work. The musical techniques used by Verdi to express these characters dramatically are illuminated to offer depth of insight into his individual musical language and his often unrecognized nature as a “man of the theater.” The expanding role of the orchestra in the drama is examined as a feature of Verdi’s more mature style.
dc.description.sponsorship School of Music
dc.title Verdian musicodramatic expression in Un ballo in maschera en_US
dc.type Creative project (M.M.), 3 hrs.
dc.description.degree Thesis (M.M.) en_US
dc.identifier.cardcat-url http://liblink.bsu.edu/catkey/1619250


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  • Creative Projects [3109]
    Creative projects submitted to the Graduate School by Ball State University master's degree candidates in partial fulfillment of degree requirements.

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