Stage action as metaphor in Marlowe's Doctor Faustus

Cardinal Scholar

Show simple item record

dc.contributor.advisor Schumacher, Paul J. en_US
dc.contributor.author Jones, Louise en_US
dc.date.accessioned 2011-06-03T19:27:25Z
dc.date.available 2011-06-03T19:27:25Z
dc.date.created 1991 en_US
dc.date.issued 1991
dc.identifier LD2489.Z68 1991 .J66 en_US
dc.identifier.uri http://cardinalscholar.bsu.edu/handle/handle/177139
dc.description.abstract The purpose of the study is to establish the critical need for stage action in order to understand fully the theme of Marlowe's Doctor Faustus. Marlowe's primary intent is to invert the morality play, illustrating the distortions and ambiguities of a systematized religion and to establish the human dilemma when man is faced with moral choices. To illustrate this inversion, Marlowe uses emblematic action for an effect opposite to that of the traditional moralities: Often this action goes beyond the emblem, becoming a metaphor for Marlowe's theme, man as a victim, conflicting within himself and within the system which governs his morality.Chapter one introduces this theme and the crucial need for staging Marlowe's ideas. The first chapter also establishes a compromise of the textual problems inherent within any study of Doctor Faustus. Since the study argues that audience reaction is important to Marlowe's intent, attention is paid to how audience response governs the play's interpretation.Chapter two is a critical review of the historical staging practices which must be considered when studying the dramatic text. Included are stage size, costuming, and special effects.Chapter three is the advancement of the thesis in a scene by scene analysis of the text with special attention to the action as metaphor. Considered is how audience reaction represents part of Marlowe's purpose; the increasing tension of the audience furthers Marlowe's concept of the ambiguities present when humans are faced with moral choices. This purpose is traced scene by scene with specific attention to how it is metaphorically portrayed on stage.Chapter four is separate as a director's book, with the text reproduced, together with the researcher's marginal notes on specific blocking and with footnotes emplacing and expanding on the metaphorical action as it appears in the text. en_US
dc.description.sponsorship Department of English
dc.format.extent 72, xiii leaves : ill. ; 28 cm. en_US
dc.source Virtual Press en_US
dc.subject.other Marlowe, Christopher, 1564-1593. Doctor Faustus. en_US
dc.subject.other Marlowe, Christopher, 1564-1593 -- Criticism and interpretation. en_US
dc.subject.other Marlowe, Christopher, 1564-1593 -- Technique. en_US
dc.title Stage action as metaphor in Marlowe's Doctor Faustus en_US
dc.description.degree Thesis (Ph. D.) en_US
dc.identifier.cardcat-url http://liblink.bsu.edu/catkey/774755 en_US


Files in this item

Files Size Format View

There are no files associated with this item.

This item appears in the following Collection(s)

  • Doctoral Dissertations [3121]
    Doctoral dissertations submitted to the Graduate School by Ball State University doctoral candidates in partial fulfillment of degree requirements.

Show simple item record

Search Cardinal Scholar


Browse

My Account