Kinds of spaces : poststructural concepts and metafictional appropriations

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dc.contributor.advisor White, Patricia S. en_US
dc.contributor.author Wielgosz, Anne-Kathrin en_US
dc.date.accessioned 2011-06-03T19:32:28Z
dc.date.available 2011-06-03T19:32:28Z
dc.date.created 1993 en_US
dc.date.issued 1993
dc.identifier LD2489.Z68 1993 .W54 en_US
dc.identifier.uri http://cardinalscholar.bsu.edu/handle/handle/181950
dc.description.abstract "Kinds of Spaces: Poststructural Concepts and Metafictional Appropriations" emerges from studies in structural linguistics, contemporary critical theory, and metafiction and thus moves into the realms of poststructuralism and deconstruction while developing a theory of space in writing. Its central sections attempt to conceptually and physically broaden the scope of the investigation and progress from linguistic space, via inscribed space and ontological inter-space, to erotic space. Thus, "Marking a Place of Differ( )nce" concerns the poststructural redefinition of the Saussurean model with its gap between signifier and signified in the debate between Lacan and Derrida on the "Purloined Letter"; "'a spatial displacement of words"' discusses the disruption of syntax and the ensuing dissemination of letters across the page in concrete prose, particularly as they relate to narratological displacement in Raymond Federman's Double or Nothing; "From Ear to Eye" reenacts the analogy created between sound and sight in Steve Katz's The Exagggerations of Peter Prince, which attempts an erosion of ontological and spatial boundaries in the text; "The Body, the Book, and the Supplement of Supplements" addresses the physical space between reader and book, the uniting of their bodies, and is based on Rousseau's concept of the supplement, Foucault's notion of the gaze, and Baudrillard's discussion of seduction.These central sections are framed by: "The Blank in Writing," which develops a theory of blank space in writing mostly drawing on Derridean concepts and applying them to a reading of the Mobv Dick chapter "The Whiteness of the Whale," and "The Topography of Writing," which, while focussing on the relationship between space and time, discusses Raymond Federman's The Voice in the Closet, a typographical tour de force which incorporates blank space. At the end, a "Postscript" attempts to assess the blank's sign quality as it emerges as integral constituent to each concept discussed. en_US
dc.description.sponsorship Department of English
dc.format.extent ii, 110 leaves : ill. ; 28 cm. en_US
dc.source Virtual Press en_US
dc.subject.lcsh Space and time in literature. en_US
dc.subject.lcsh Deconstruction. en_US
dc.title Kinds of spaces : poststructural concepts and metafictional appropriations en_US
dc.description.degree Thesis (Ph. D.) en_US
dc.identifier.cardcat-url http://liblink.bsu.edu/catkey/897477 en_US


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  • Doctoral Dissertations [3090]
    Doctoral dissertations submitted to the Graduate School by Ball State University doctoral candidates in partial fulfillment of degree requirements.

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