A visual testimony, the Cross of Christ

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dc.contributor.advisor Murphy, Jean L. en_US
dc.contributor.author Cooney, David R. en_US
dc.date.accessioned 2011-06-03T19:33:27Z
dc.date.available 2011-06-03T19:33:27Z
dc.date.created 1982 en_US
dc.date.issued 1982
dc.identifier LD2489.Z72 1982 .C67 en_US
dc.identifier.other Slide 1060 en_US
dc.identifier.uri http://cardinalscholar.bsu.edu/handle/handle/182701
dc.description.abstract This creative project has explored the combining of multiple paintings and multiple nodes of painting into a coherent and unified whole, directed toward a more complete and truer representation of man, especially the “born again” man. This study employed the unifying and transitional characteristics of various modes of painting, together with a structural format of a three-paneled, folding triptych, with the intent of enlightenment in the area of spiritual “oneness.” This study centered on Jesus Christ as the entrance to spiritual “oneness,” (more appropriately identified as The Kingdom of God, or being born again) and primarily by way of symbolism and the juxtaposition of ideas, modes of painting, and painted panels, sought to reveal that truth.
dc.format.extent 16, [3] leaves ; 28 cm. + 5 slides (col.) en_US
dc.source Virtual Press en_US
dc.subject.lcsh Panel painting. en_US
dc.subject.lcsh Holy Cross. en_US
dc.subject.lcsh Symbolism in art. en_US
dc.title A visual testimony, the Cross of Christ en_US
dc.description.degree Thesis (M.A.)
dc.identifier.cardcat-url http://liblink.bsu.edu/catkey/491469 en_US


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  • Master's Theses [5293]
    Master's theses submitted to the Graduate School by Ball State University master's degree candidates in partial fulfillment of degree requirements.

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