Transitional style traits in Beethoven's Sonata no. 5 in F major

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dc.contributor.advisor Vayman, Anna
dc.contributor.author Chen, Lipeng. en_US
dc.date.accessioned 2011-06-09T15:34:14Z
dc.date.available 2011-06-09T15:34:14Z
dc.date.created 2010 en_US
dc.date.issued 2010
dc.identifier.uri http://cardinalscholar.bsu.edu/handle/123456789/193683
dc.description.abstract Beethoven's Sonata No. 5 in F major for violin and piano exhibits the influences of Mozart and Haydn, yet he introduces many new ideas. In this project, Beethoven’s new ideas of musical composition introduced in his Sonata No.5, in terms of the musical form, texture, key relationships, and dialogue, are discussed in their relations to his later works. These new ideas together with the influences of Mozart and Haydn exhibited in Sonata No. 5 truly indicate that Beethoven was in an important stage of his musical metamorphosis, in which he developed his own style and character. His new approaches for music composition have pivotal roles for his later works.
dc.description.sponsorship School of Music
dc.format.extent 20 p. : digital, PDF file, music + 4 electronic files (digital, MP3) + 2 sound discs (4 3/4 in.) en_US
dc.source CardinalScholar 1.0 en_US
dc.subject.other Beethoven, Ludwig van, 1770-1827. Sonatas, violin, piano no. 5, op. 24, F major. en_US
dc.title Transitional style traits in Beethoven's Sonata no. 5 in F major en_US
dc.title.alternative Transitional style traits in Beethoven's Sonata no. 5 in F major en_US
dc.type Creative project (M.M.), 3 hrs. en_US
dc.description.degree Thesis (M.M.) en_US
dc.identifier.cardcat-url http://liblink.bsu.edu/catkey/1576297 en_US


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  • Creative Projects [3230]
    Creative projects submitted to the Graduate School by Ball State University master's degree candidates in partial fulfillment of degree requirements.

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