Unveiled : a rhetorical analysis of street artist Princess Hijab

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dc.contributor.advisor Coker, Ashley S.
dc.contributor.author Colpean, Michelle L.
dc.date.accessioned 2012-09-24T12:09:31Z
dc.date.available 2012-09-24T12:09:31Z
dc.date.created 2012-05-07
dc.date.issued 2012-05-07
dc.identifier.other A-345
dc.identifier.uri http://cardinalscholar.bsu.edu/handle/123456789/196324
dc.description.abstract Princess Hijab is a graffiti artist and culture jammer whose work depicts figures in advertising fully or partially covered in Muslim veils. Her work employs both culture jamming to send a message to advertisers as well as political jamming in response to the French "burqa bans" that have been enacted to various degrees over the past decade. This paper analyzes Princess Hijab's street art through the lens of culture jamming, and draws critical implications regarding multiplicity within a rhetorical act, the hijab as a sliding signifier, and the use of ambiguity as a tool.
dc.description.sponsorship Honors College
dc.subject.lcsh Communication.
dc.title Unveiled : a rhetorical analysis of street artist Princess Hijab en_US
dc.type Undergraduate senior honors thesis.
dc.description.degree Thesis (B.?.)
dc.identifier.cardcat-url http://liblink.bsu.edu/catkey/1659595


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  • Undergraduate Honors Theses [5912]
    Honors theses submitted to the Honors College by Ball State University undergraduate students in partial fulfillment of degree requirements.

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