What's left behind/what still remains

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dc.contributor.advisor Nelson, Patricia A.
dc.contributor.author Chandler, Emma Olivia
dc.date.accessioned 2013-08-06T11:45:16Z
dc.date.available 2013-08-06T11:45:16Z
dc.date.created 2013-07-20
dc.date.issued 2013-07-20
dc.identifier.uri http://cardinalscholar.bsu.edu/handle/123456789/197456
dc.description.abstract In What's Left Behind/What Still Remains, I explored the usefulness of traditional metalsmithing processes and forms to properly express contemporary concerns. Reflecting on traditional metalwork objects, I realized our contemporary culture lacks comparable heirloom and ritual objects to mark life events. Using a variety of metalworking techniques, I produced a series of sculptural artworks, some wearable, some not. The sixteen art pieces that comprise What's Left Behind/What Still Remains were fabricated using a variety of techniques to form individual components, which were then assembled the final artworks. Art, no less than life, derives from a physical and intellectual investigation of the world. The goal of this body of work was to present a series of objects to function as memorial objects; art pieces capable of providing an environment in which the viewer can engage empathetically with the occurrence represented therein. Threshold moments are appropriately experienced within liminal spaces; I sought to create that space through these art pieces.
dc.description.sponsorship Department of Art
dc.subject.lcsh Art metal-work -- 21st century.
dc.subject.lcsh Wearable art -- 21st century.
dc.subject.lcsh Memorials in art.
dc.title What's left behind/what still remains en_US
dc.title.alternative What is left behind/what still remains
dc.type Creative project (M.A.), 6 hours
dc.description.degree Thesis (M.A.)
dc.identifier.cardcat-url http://liblink.bsu.edu/catkey/1728621


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  • Creative Projects [3230]
    Creative projects submitted to the Graduate School by Ball State University master's degree candidates in partial fulfillment of degree requirements.

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