Abstract:
Spring Awakening, a Steven Sater and Duncan Sheik musical adaption of Frank
Wedekind's Expressionistic play was produced at Ball State University in the fall of 2012.
The following written work will walk the reader through the process and methodology used for the dramaturgy component of the production of Spring Awakening. This analysis hones in on the specific goals and challenges of the project. While recounting a very specific play, process, and production, the feedback section, both from peers and professionals, offers insight into what makes up a successful dramaturgy project. This project emphasizes the role of dramaturg as a collaborating artist as well as researcher.