A solo bassoon recital : Telemann, Mozart, Saint-Saens and Piazzolla

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dc.contributor.advisor Sweger, Keith
dc.contributor.author Lusk, Valane Adam
dc.date.accessioned 2014-05-08T16:00:42Z
dc.date.available 2014-05-08T16:00:42Z
dc.date.issued 2014-05-03
dc.identifier.uri http://cardinalscholar.bsu.edu/handle/123456789/198178
dc.description.abstract This project demonstrates the process of interpreting music from different historical periods and arranging music written for a different but very similar instrument. In particular, it discusses freedom of articulation, phrasing, and embellishment in the Baroque, Classical, and Romantic Periods. Treatises from the periods in which the music was written provides evidence that the interpretation is stylistically appropriate. Also, an analysis of the music itself guides the interpretation. To further solidify the style, there is an inspection of recordings by prominent professionals. The author performed the examples used for the paper in a recital. en_US
dc.description.sponsorship School of Music
dc.subject.lcsh Music -- Interpretation (Phrasing, dynamics, etc.)
dc.subject.lcsh Bassoon music -- 18th century -- History and criticism
dc.subject.lcsh Bassoon music -- 19th century -- History and criticism
dc.title A solo bassoon recital : Telemann, Mozart, Saint-Saens and Piazzolla en_US
dc.description.degree Thesis (M.M.) en_US
dc.identifier.cardcat-url http://liblink.bsu.edu/catkey/1761642
dc.identifier.cardcat-url Creative project (M.M.), 3 hours.

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  • Creative Projects [3206]
    Creative projects submitted to the Graduate School by Ball State University master's degree candidates in partial fulfillment of degree requirements.

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