dc.contributor.advisor |
Mix, Deborah M. |
|
dc.contributor.advisor |
Collier, Patrick |
|
dc.contributor.author |
Carnes, Jeremy M. |
|
dc.date.accessioned |
2014-05-08T17:23:47Z |
|
dc.date.available |
2014-05-08T17:23:47Z |
|
dc.date.issued |
2014-05-03 |
|
dc.identifier.uri |
http://cardinalscholar.bsu.edu/handle/123456789/198185 |
|
dc.description |
Access to thesis permanently restricted to Ball State community only. |
en_US |
dc.description.abstract |
This
research
project
will
focus
on
the
Jewish
American
identity
that
arose
from
two
specific
artifacts
of
print
culture
in
which
many
Jewish
Americans
partook
intellectually
and
creatively:
the
little
magazine
and
the
comic
book.
Specifically
I
will
be
focusing
on
the
Partisan
Review
and
the
first
four
years
of
appearances
by
Superman
in
comic
books
like
Action
Comics
and
his
own
self-‐titled
series.
Though
pre-‐World
War
II
was
a
difficult
time
for
Jewish
Americans
who
were
consistently
being
oppressed,
the
decade
from
1936
to
1946
was
also
filled
with
writing
–
both
intellectual
and
creative
–
that
worked
to
parse
out
a
place
for
Jewish
Americans
in
modern
American
society.
In
1936
many
intellectuals
joined
forces
with
the
John
Reed
Club
–
an
American
communist
organization
–
to
fund
the
Partisan
Review.
This
“little
magazine”
was
known
for
its
leftist/communist
leanings
and
its
frequent
publication
of
Jewish
American
authors,
which
allowed
for
a
specific
Jewish
American
led
voice
in
defining
a
specific
section
of
American
politics
and
art.
I
will
specifically
argue
that,
even
though
these
two
sets
of
artifacts
come
from
different
traditions
of
aesthetics
and
have
very
different
views
on
aesthetic
worth
–
the
Partisan
Review
was
very
intellectual
and
“high”
cultured,
while
comic books
were
considered
very
juvenile
and
“low”
cultured
–
the
goals
each
of
these
projects
are
working
toward
are
quite
similar.
I
will
explore
how
material
published
in
these
two
periodicals
reflects
Jewish
American
writers’
understandings
of
their
own
place
in
American
society
as
a
whole
and
the
ways
they
believed
their
ethnicity
did
(or,
in
actuality,
did
not)
fit
into
the
schema
of
an
American
identity.
The
editors
and
writers
associated
with
these
two
publications
largely
sought
both
a
usable
past
from
which
they
could
form
their
own
personal
identities
and
a
meritocratic
future
that
would
allow
them
equal
footing
in
America
and
beyond. |
en_US |
dc.description.sponsorship |
Department of English |
|
dc.subject.lcsh |
Jews -- United States -- Identity. |
|
dc.subject.other |
Superman (Comic strip) |
|
dc.subject.other |
Partisan review (New York, N.Y. : 1936) |
|
dc.title |
Re-examining the great divide (again) : Superman comics, the Partisan review, and the Jewish American identity |
en_US |
dc.type |
Research paper (M.A.), 3 hours. |
|
dc.description.degree |
Thesis (M.A.) |
en_US |
dc.identifier.cardcat-url |
http://liblink.bsu.edu/catkey/1765760 |
|