An analysis of Quartet (1950) by Bernard H. Garfield

Cardinal Scholar

Show simple item record

dc.contributor.advisor Sweger, Keith
dc.contributor.author Majors, Michael C.
dc.date.accessioned 2016-05-11T14:31:47Z
dc.date.available 2016-05-11T14:31:47Z
dc.date.issued 2016-05-07
dc.identifier.uri http://cardinalscholar.bsu.edu/handle/123456789/200233
dc.description.abstract This creative project presents an analysis of the musical content and significant elements of Bernard H. Garfield’s Quartet (1950) for bassoon, violin, viola, and cello. It provides information on form, melody, harmony, and performance practice from a bassoonist’s perspective. The overarching approach to the piece is from a performer’s stand point, and most specifically from the bassoonist’s, especially in reference to working with string players in a chamber setting. en_US
dc.description.sponsorship School of Music
dc.subject.mesh Garfield, Bernard. Quartets, bassoon, violin, viola, cello, no. 1.
dc.title An analysis of Quartet (1950) by Bernard H. Garfield en_US
dc.type Creative project (M.M.), 3 hours.
dc.identifier.cardcat-url http://liblink.bsu.edu/catkey/1822604


Files in this item

This item appears in the following Collection(s)

  • Creative Projects [3206]
    Creative projects submitted to the Graduate School by Ball State University master's degree candidates in partial fulfillment of degree requirements.

Show simple item record

Search Cardinal Scholar


Browse

My Account