Awakening in twilight : reading the queer melancholic aesthetic of Rift (2017) as a didactic mode

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dc.contributor.advisor Rapatz, Vanessa
dc.contributor.author Brayfield, Cole T.
dc.date.accessioned 2020-08-25T18:30:26Z
dc.date.available 2020-08-25T18:30:26Z
dc.date.issued 2020-05-02
dc.identifier.uri http://cardinalscholar.bsu.edu/handle/123456789/202255
dc.description Access to thesis permanently restricted to Ball State community only en_US
dc.description.abstract Departing from psychoanalytic readings of melancholy, this essay examines the 2017 Icelandic horror film Rift (Rökkur) directed by Erlingur Thoroddsen through an aesthetic framework of melancholy influenced by literary studies of queerness and trauma. Using that framework, this essay argues that Rift evokes reflection in both its protagonist, Gunnar, and spectators by occupying liminal landscapes, spatial topographies, temporal boundaries, and generic delineations, requiring both Gunnar and spectators to reevaluate their reductionist notions of normative categories. Through reflection, Gunnar reorients his ontology toward otherness, radically enacting that orientation in the final moments of the film. Mirroring Rift’s protagonist, spectators’ own melancholic reflections prompt similar evolutions in ontological perspective and invite radical enactments thereof. en_US
dc.description.sponsorship Department of English
dc.subject.lcsh Melancholy in motion pictures.
dc.subject.other Rökkur (Motion picture)
dc.title Awakening in twilight : reading the queer melancholic aesthetic of Rift (2017) as a didactic mode en_US
dc.type Research paper (M.A.), 3 hours.
dc.description.degree Thesis (M.A.) en_US


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  • Research Papers [5068]
    Research papers submitted to the Graduate School by Ball State University master's degree candidates in partial fulfillment of degree requirements.

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