Abstract:
This paper explores the practical and intellectual processes that I employed to achieve a
successful performance of Sergei Rachmaninoff’s Prelude in D-flat Major, Op.32, No.13. An
overview of the Opus 32 Preludes’ compositional chronology provided context for the unusually
complex and demanding writing. By dissecting the score’s textural, harmonic, and melodic
components, my performance could best honor the composer’s original intentions. I also
utilized the performance practice advice of pianist and pedagogue, Josef Lhevinne. My
exploration of the work’s physical requirements facilitated a more meaningful execution of the
challenging passagework. The Prelude’s dramatic elements were further supplemented by an
investigation of Rachmaninoff’s possible inspirations, including a ubiquitous quotation of his
early work and the nostalgic influence of his own memories.
