dc.contributor.author |
Gerace, Emily M. |
en_US |
dc.date.accessioned |
2011-06-03T19:24:32Z |
|
dc.date.available |
2011-06-03T19:24:32Z |
|
dc.date.created |
2001 |
en_US |
dc.date.issued |
2001 |
|
dc.identifier |
LD2489.Z8 2001 .G47 |
en_US |
dc.identifier.uri |
http://cardinalscholar.bsu.edu/handle/handle/175700 |
|
dc.description.abstract |
There is no abstract available for this creative project. |
|
dc.description.sponsorship |
School of Music |
|
dc.format.extent |
23 leaves ; 30 cm. + 1 sound cassette. |
en_US |
dc.source |
Virtual Press |
en_US |
dc.title |
The development of the flute through the Baroque, Classical, Romantic, and Modern eras and its affect on performance practices, as demonstrated by Sonata in E minor by Johann Sebastian Bach, Quartet in D major by Wolfgang Amadeus Mozart, Suite by Charles-Marie Widor, Density 21.5 by Edgard Var�ese, and Mei by Kazuo Ukushima |
en_US |
dc.type |
Creative project (M.M.), 3 hrs. |
en_US |
dc.description.degree |
Thesis (M.M.) |
|
dc.identifier.cardcat-url |
http://liblink.bsu.edu/catkey/1208767 |
en_US |