The dramaturgical functions of song, dance, and music in the comedies of John Dryden

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dc.contributor.advisor Rippy, Frances Mayhew en_US
dc.contributor.author Davis, Floyd H. (Floyd Herman), 1931- en_US
dc.date.accessioned 2011-06-03T19:24:40Z
dc.date.available 2011-06-03T19:24:40Z
dc.date.created 1972 en_US
dc.date.issued 1972
dc.identifier LD2489.Z64 1972 .D38 en_US
dc.identifier.uri http://cardinalscholar.bsu.edu/handle/handle/175768
dc.description.abstract This dissertation analyzes Dryden's dramaturgical use of or reference to song, dance, and music as they contribute to plot, character, and setting in The Wild Gallant, Sir Martin Mar-All, The Tempest, An Evening's Love, Marriage A-la-Mode, The Assignation, The Mistaken Husband, The Kind Keeper, and Amphitryon. An appendix lists all songs printed out in these comedies. en_US
dc.format.extent v, 192 leaves : music ; 28 cm. en_US
dc.source Virtual Press en_US
dc.subject.lcsh Music and literature. en_US
dc.subject.other Dryden, John, 1631-1700 -- Technique. en_US
dc.title The dramaturgical functions of song, dance, and music in the comedies of John Dryden en_US
dc.description.degree Thesis (D. Ed.) en_US
dc.identifier.cardcat-url http://liblink.bsu.edu/catkey/414594 en_US


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  • Doctoral Dissertations [3210]
    Doctoral dissertations submitted to the Graduate School by Ball State University doctoral candidates in partial fulfillment of degree requirements.

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