Compositional process of Rene Clausen as demonstrated in selected choral works

Cardinal Scholar

Show simple item record

dc.contributor.advisor Mountford, Fritz en_US
dc.contributor.author Guy, Todd W. en_US
dc.coverage.spatial n-us--- en_US
dc.date.accessioned 2011-06-03T19:26:15Z
dc.date.available 2011-06-03T19:26:15Z
dc.date.created 1998 en_US
dc.date.issued 1998
dc.identifier LD2489.Z62 1998 .G89 en_US
dc.identifier.uri http://cardinalscholar.bsu.edu/handle/handle/176536
dc.description.abstract The purpose of this study was to document the compositional process of the American composer, Rene Clausen (b. 1953). The writer conducted three days of interviews with Dr. Clausen to discuss his compositional process in selected choral works. The discussion included Clausen's "creative impetus," and "compositional approach" to the elements of text, harmony, rhythm, melody and texture.The writer examined Clausen's thirty-three published choral works. Three works representative of his choral output were selected: "All That Hath Life and Breath Praise Ye the Lord" (1981); "0 Vos Omnes" (1986); and "Whispers of Heavenly Death" (1993). These works were selected upon the composer's recommendation as pieces which are representative of his choral style.Clausen's "creative impetus," his musical influences and motivation, form what he terms "deep background." This material, some learned, but most absorbed through various musical experiences and influences, is placed into a "big bin" from which Clausen draws when making compositional decisions.The text is the genesis of Clausen's process. When selecting texts, Clausen looks for ones that will evoke certain colors, nuances, or images.Clausen's second step is to absorb the meaning of that text. During this important absorption process Clausen develops an idea of what the character of the piece will be.The third step is the emergent process: generating thoughts about thematic material, intermittent ideas, textures, and transitional material which will be presented. Clausen manipulates the elements of harmony, rhythm, melody and texture to express the forms and images present in the text.An examination of Clausen's compositional approach to the following elements was conducted: HarmonyClausen's approach is extended diatonicism with traditional harmonic movement leading toward goal oriented harmony.RhythmClausen uses a variety of rhythmic approaches to express the text: mixed and asymmetrical meter, free unmeasured rhythm, and dove-tailing sections rhythm and metered music. MelodyClausen's approach is based upon the parameters within which he is writing and on the imagery present in the text. TextureClausen's approach is based on two aspects: the level of difficulty or level for which the piece is written and the images expressed in the text. en_US
dc.description.sponsorship School of Music
dc.format.extent iv, 395 leaves : ill. ; 28 cm. en_US
dc.source Virtual Press en_US
dc.subject.lcsh Choral music -- Instruction and study. en_US
dc.subject.lcsh Composers -- United States -- Interviews. en_US
dc.subject.other Clausen, Rene -- Criticism and interpretation. en_US
dc.subject.other Clausen, Rene -- Interviews. en_US
dc.title Compositional process of Rene Clausen as demonstrated in selected choral works en_US
dc.description.degree Thesis (D.A.) en_US
dc.identifier.cardcat-url http://liblink.bsu.edu/catkey/1118236 en_US


Files in this item

Files Size Format View

There are no files associated with this item.

This item appears in the following Collection(s)

  • Doctoral Dissertations [3210]
    Doctoral dissertations submitted to the Graduate School by Ball State University doctoral candidates in partial fulfillment of degree requirements.

Show simple item record

Search Cardinal Scholar


Browse

My Account