| dc.contributor.advisor |
Burns, Vincent C. |
en_US |
| dc.contributor.author |
Meuninck, Thomas C., 1943- |
en_US |
| dc.date.accessioned |
2011-06-03T19:30:24Z |
|
| dc.date.available |
2011-06-03T19:30:24Z |
|
| dc.date.created |
1970 |
en_US |
| dc.date.issued |
1970 |
|
| dc.identifier |
LD2489.Z72 1970 .M48 |
en_US |
| dc.identifier.uri |
http://cardinalscholar.bsu.edu/handle/handle/180090 |
|
| dc.description.abstract |
This study was composed of several large detailed drawings of forms from nature. The drawings were total abstractions of organic forms that had been photographed. The basic composition was structures-of ovals, rectangles and circles with various combinations of the three. With in the basic structures the writer subdivided the areas manipulating organic free forms with reliefs of white special areas. |
|
| dc.format.extent |
12, 1 leaves : ill. ; 28 cm. |
en_US |
| dc.source |
Virtual Press |
en_US |
| dc.subject.lcsh |
Art, Abstract. |
en_US |
| dc.subject.lcsh |
Art and photography. |
en_US |
| dc.title |
A study of abstractions in drawing with the aid of photographs to produce both symmetrical and asymmetrical compostions |
en_US |
| dc.description.degree |
Thesis (M.A.) |
|
| dc.identifier.cardcat-url |
http://liblink.bsu.edu/catkey/415733 |
en_US |