A study of abstractions in drawing with the aid of photographs to produce both symmetrical and asymmetrical compostions

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dc.contributor.advisor Burns, Vincent C. en_US
dc.contributor.author Meuninck, Thomas C., 1943- en_US
dc.date.accessioned 2011-06-03T19:30:24Z
dc.date.available 2011-06-03T19:30:24Z
dc.date.created 1970 en_US
dc.date.issued 1970
dc.identifier LD2489.Z72 1970 .M48 en_US
dc.identifier.uri http://cardinalscholar.bsu.edu/handle/handle/180090
dc.description.abstract This study was composed of several large detailed drawings of forms from nature. The drawings were total abstractions of organic forms that had been photographed. The basic composition was structures-of ovals, rectangles and circles with various combinations of the three. With in the basic structures the writer subdivided the areas manipulating organic free forms with reliefs of white special areas.
dc.format.extent 12, 1 leaves : ill. ; 28 cm. en_US
dc.source Virtual Press en_US
dc.subject.lcsh Art, Abstract. en_US
dc.subject.lcsh Art and photography. en_US
dc.title A study of abstractions in drawing with the aid of photographs to produce both symmetrical and asymmetrical compostions en_US
dc.description.degree Thesis (M.A.)
dc.identifier.cardcat-url http://liblink.bsu.edu/catkey/415733 en_US


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  • Master's Theses [5510]
    Master's theses submitted to the Graduate School by Ball State University master's degree candidates in partial fulfillment of degree requirements.

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