The anatomy of the conceit in John Donne's songs and sonnets

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dc.contributor.advisor Thornburg, Thomas R. en_US
dc.contributor.author Green, Robert S. en_US
dc.date.accessioned 2011-06-03T19:32:11Z
dc.date.available 2011-06-03T19:32:11Z
dc.date.created 1978 en_US
dc.date.issued 1978
dc.identifier LD2489.Z72 1978 .G74 en_US
dc.identifier.uri http://cardinalscholar.bsu.edu/handle/handle/181727
dc.description.abstract This thesis has been a study of the conceit as employed in the Songs and Sonnets of John Donne. It has suggested that the difficulty encountered in attempted classification of Donne's love-poetry may be partially resolved by a recognition of various voices or personae in the poems, several of which may be present within an individual poem. It has demonstrated the way in which Donne's employment of the conceit enabled him to express this variety of voices or personae simultaneously as they exchange positions of dominance and submissiveness within a poem.The thesis has illustrated its study of the conceit through the explication of four specific poems: "The Ecstasy," "A Valediction: forbidding mourning," "The Canonization," and "Love's Alchemy."
dc.format.extent iii, 65 leaves ; 28 cm. en_US
dc.source Virtual Press en_US
dc.subject.other Donne, John, 1572-1631 -- Criticism and interpretation. en_US
dc.title The anatomy of the conceit in John Donne's songs and sonnets en_US
dc.description.degree Thesis (M.A.)
dc.identifier.cardcat-url http://liblink.bsu.edu/catkey/296788 en_US


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  • Master's Theses [5510]
    Master's theses submitted to the Graduate School by Ball State University master's degree candidates in partial fulfillment of degree requirements.

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