The clothespin as an art form

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dc.contributor.advisor Spoerner, Thomas M. en_US Geda, Karen M. en_US 2011-06-03T19:33:59Z 2011-06-03T19:33:59Z 1985 en_US 1985
dc.identifier LD2489.Z72 1985 .G43 en_US
dc.description.abstract The purpose of this study was to investigate the possible visual situations in which clothespins could be successfully incorporated. A series of aesthetic experiments were performed using the clothespin as the major compositional element in works of art. The proposed work consisted of construction of several organizational structures and/or sculptural pieces using the clothespins in conjunction with some type of space frame. These space frames set the parameters for the designs, served as either container forms or surfaces to build on, and were built out of either wood, plastic or fiber. Each supporting or underlying structure worked in combination with the clothespins to from a total design unit.
dc.format.extent i, 21 leaves ; 28 cm. + 15 slides (col.) + 1 guide. en_US
dc.source Virtual Press en_US
dc.subject.lcsh Clothespins. en_US
dc.title The clothespin as an art form en_US Thesis (M.A.)
dc.identifier.cardcat-url en_US

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  • Master's Theses [5510]
    Master's theses submitted to the Graduate School by Ball State University master's degree candidates in partial fulfillment of degree requirements.

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