Cries of agony : a work in photographic montage

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dc.contributor.advisor Foster, John F. en_US
dc.contributor.author Donelson, Sarah L. en_US
dc.date.accessioned 2011-06-03T19:36:05Z
dc.date.available 2011-06-03T19:36:05Z
dc.date.created 1992 en_US
dc.date.issued 1992
dc.identifier LD2489.Z72 1992 .D6 en_US
dc.identifier.other Slide 1526 en_US
dc.identifier.uri http://cardinalscholar.bsu.edu/handle/handle/184461
dc.description.abstract The statement of the problem for this creative thesis project was: How to construct photomontages that expressed the photographer's personal concerns regarding the human condition and the environmental status of the earth. Secondary components of this problem were the use of color within the work and how to reproduce this color. The goal of this project was: To stimulate individual awareness resulting in a reevaluation of one's own position and responsibilities towards humanity and the environmental status of the earth.A description of the significance of this problem is given along with supportive research. This project provided the photographer with an opportunity to use an artistic process to express environmental concerns that grew out of the photographer's environmental studies.Methods used to solve this problem included the collection of visual elements from readily available pre-printed material such as magazines and books. By combining these elements together in a new context a collage or montage was created. After the montage image was complete it was photographed on color slide film. These color slides were then placed in a projector system connected to a color laser copier. Each slide was projected on to the bed of the copier and scanned. This scanner communicated the image's digital signal to a color laser printer which produced a color laser print.Finally, each photomontage color print was window matted on white 100% acid free rag mat board and placed in a white frame for exhibition. An exhibition was held in the Ball State University Theatre Lounge/Gallery. Included in the appendices of this thesis is a copy of the exhibition flyer, artist statement and press release.A description of each individual piece is provided within_ this thesis. Addressed in this section are the formal properties of each photomontage. Techniques used in the construction of each photomontage are outlined. The expressive elements are identified arid their functions explored as they apply to the montage image. It is within this section that the photographer's opinions and feelings are expressed.The last section of this thesis is the evaluation and conclusion. In the photographer's opinion this project was a success because the photomontages express the personal concerns of the photographer. Also, these photomontages did stimulate awareness and reevaluation in the audience as reported by members of the audience to the photographer.
dc.description.sponsorship Department of Art
dc.format.extent iii, 96 leaves : ill. ; 28 cm. + 15 slides (col.) en_US
dc.source Virtual Press en_US
dc.subject.lcsh Photomontage. en_US
dc.subject.lcsh Ecology in art. en_US
dc.subject.lcsh Art -- Political aspects. en_US
dc.title Cries of agony : a work in photographic montage en_US
dc.description.degree Thesis (M.A.)
dc.identifier.cardcat-url http://liblink.bsu.edu/catkey/864904 en_US


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  • Master's Theses [5454]
    Master's theses submitted to the Graduate School by Ball State University master's degree candidates in partial fulfillment of degree requirements.

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