Contrapuntal language and row derivation technique in chamber music of the Second Viennese School : analysis and application : an honors thesis (HONRS 499)

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dc.contributor.advisor Trawick, Eleanor, 1965- en_US
dc.contributor.author Frost, Ayriole C. en_US
dc.date.accessioned 2011-06-06T18:49:36Z
dc.date.available 2011-06-06T18:49:36Z
dc.date.created 2010 en_US
dc.date.issued 2010
dc.identifier.other A-339 en_US
dc.identifier.uri http://cardinalscholar.bsu.edu/handle/handle/190398
dc.description.abstract As a composer and music theorist, it is important to understand the work that came before in order to learn and grow in one's compositional style. This project spans both the compositional and theoretical aspects of the twelve-tone works of the Second Viennese School of composers, consisting of Arnold Schoenberg, Alban Berg and Anton Webern. The early work examined here in the compositional method developed by Schoenberg spans a period of approximately a decade, from 1926-1936. I have analyzed the first movement of a chamber work by each of the three composers. Following the analysis isa newly composed work loosely based on the analyzed technique in the genre of string chamber music. The author's statement consists of both an analysis of the three works and a discussion of my own compositional process.
dc.description.sponsorship Honors College
dc.format.extent 26 p. : ill. ; 28 cm. en_US
dc.source Virtual Press en_US
dc.subject.lcsh Music. en_US
dc.title Contrapuntal language and row derivation technique in chamber music of the Second Viennese School : analysis and application : an honors thesis (HONRS 499) en_US
dc.type Undergraduate senior honors thesis
dc.description.degree Thesis (B.?.)
dc.identifier.cardcat-url http://liblink.bsu.edu/catkey/1562799 en_US


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  • Undergraduate Honors Theses [5928]
    Honors theses submitted to the Honors College by Ball State University undergraduate students in partial fulfillment of degree requirements.

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