Abstract:
The analysis of the application or non-application of the philosophical theory of Deconstruction to magazine design, typographical design, and general graphic design has been a topic in graphic design magazines and at graphic design seminars since the mid-1980s. This book pays homage to the design style and the proponents of the style while finding a historical influence to the style. The relationships between advancing technology and expanding screen culture and the growth of interest in Deconstructive design is also discussed.