This choreography project presented four different ways of viewing divinity through dance. These were monotheism, polytheism, dualism, and pantheism. These religious ideas were presented within the context of the juxtaposition of ancient philosophical concepts with a highly technological world. In this paper, I will discuss the different aspects of the project including the music, software, choreography, costuming as well as the relevance of this project and the growth of the project from beginning to end.